In May 2014, Israeli soldiers in the occupied West Bank (Palestine) shot and killed two teenagers, Nadeem Nawara and Mohamad Abu Daher. The human rights organization Defence for Children International contacted Forensic Architecture, a Goldsmiths College-based agency that undertakes advanced architectural and media research. They worked with Abu Hamdan to investigate the incident. The case hinged upon an audio-ballistic analysis of the recorded gunshots to determine whether the soldiers had used rubber bullets, as they asserted, or broken the law by firing live ammunition at the two unarmed teenagers. A little over a year after Abu Hamdan completed his report, he returns to the case of Abu Daher and Nawara in his video Rubber Coated Steel. 　　Rubber Coated Steel acts as a tribunal for these serial killing sounds. It does not preside over the voices of the victims but rather seeks to amplify their silence, fundamentally questioning the ways in which rights are being heard today.

In May 2014, Israeli soldiers in the occupied West Bank (Palestine) shot and killed two teenagers, Nadeem Nawara and Mohamad Abu Daher. The human rights organization Defence for Children International contacted Forensic Architecture, a Goldsmiths College-based agency that undertakes advanced architectural and media research. They worked with Abu Hamdan to investigate the incident. The case hinged upon an audio-ballistic analysis of the recorded gunshots to determine whether the soldiers had used rubber bullets, as they asserted, or broken the law by firing live ammunition at the two unarmed teenagers. A little over a year after Abu Hamdan completed his report, he returns to the case of Abu Daher and Nawara in his video Rubber Coated Steel. 　　Rubber Coated Steel acts as a tribunal for these serial killing sounds. It does not preside over the voices of the victims but rather seeks to amplify their silence, fundamentally questioning the ways in which rights are being heard today.

从9·11开始，Chris Cunningham 把自己绑到轮椅上，开拍这部video的第一个镜头，到去年发行DVD，整整4年，可怜的Chris就一直在跟着取自Aphex Twin 《Drukqs》专辑里的一曲“AFX237 V7”，一帧一帧地在死做。 　　 　　先前就很推崇Chris Cunningham的video，无论是同Aphex Twin、Squarepusher、Portishead、Bjork还是Madonna合作，他都酷爱解构人体，反正只要在他的video里出现，就没有全乎人了，不是机器人，就是怪胎。这部《Rubber Johnny》可算是颠峰之作，短短6分钟的video里，他自己亲自出镜，扮演一个被父亲关在地下室里的变种孩子Johnny。真是暗无天日啊，小怪胎只好自己大玩变形金刚的那套，把鼻子、眼睛、身子，来个乾坤大挪移。Aphex Twin的这支曲子，节奏快得连鬼都分不清，Chris就硬跟着节奏，一个beat一个beat地变身。据说在慢镜头下，这支video显得细节和想象力异常丰富，只是在正常的播放速度下，就是一堆抽象的怪胎之舞。 　　 　　而标题《Rubber Johnny》更是英国一只著名的避孕套牌子，Chris也不搬出身体异化的那套玄学来解释自己的作品，简而单之地称，让身体这样变形，他最先想到的就是泡泡糖，那么避孕套差不离儿，正合此video之意像。 谢谢ianlin 的精彩评论

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